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[Aaron Matz] Satire in an Age of Realism (Cambridge Studies in Nineteenth-Century Literature and Culture) (pdf){Zzzzz}[BЯ]

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Description

 							
  
  
  
  As
nineteenth-century realism became more and more intrepid in its pursuit of describing and depicting everyday life, it
blurred irrevocably into the caustic and severe mode of literature better named satire. Realism's task of portraying the
human became indistinguishable from satire's directive to castigate the human. Introducing an entirely new way of
thinking about realism and the Victorian novel, Aaron Matz refers to the fusion of realism and satire as 'satirical
realism': it is a mode in which our shared folly and error are so entrenched in everyday life, and so unchanging, that
they need no embellishment when rendered in fiction. Focusing on the novels of Eliot, Hardy, Gissing, and Conrad, and
the theater of Ibsen, Matz argues that it was the transformation of Victorian realism into satire that granted it
immense moral authority, but that led ultimately to its demise.
  
  Editorial Reviews
  Review
  "...One of the most thought-provoking books on the novel I have read in years... Satire in an Age of Realism
challenges us in the way that major contributions to the field should: it takes risks, runs into difficulties, excites
and chagrins us, and in the end convinces us that, much as we may disagree with the author, we are undoubtedly in the
presence of an important new voice in our (forever fashion-prone) conversations about the novel."
  -Novel: A Forum
on Fiction
  
  "...masterfully written...should be required reading for anyone working not only on the Fin de
Siècle but also on nineteenth-century literature and the novel more generally... a tour de force."
  -Victorian
Studies
  
  "In brief, Matz's readings of individual authors offer both pleasures and insights, and his
overall arguments do not fail to engage (and sometimes provoke) the reader. Though he limits his argument to British
fiction, his range of literary reference--especially to French literature-- is relatively broad, and his book makes a
substantive contribution to the study of satire, a much neglected form. Finally, this book showcases a formidable
critical talent at work, and we will look forward to seeing more of it in years to come."
  -NBOL 19
  Book
Description
  Examines how realism in the nineteenth-century novel became so extreme in its portrayal of human
experience that it blurred into satire. Close study of the novels of Eliot, Hardy, Gissing, and Conrad, and the theater
of Ibsen, reveals how Victorian realism's transfiguration into satire ultimately led to its demise. 
  
 
Publisher: Cambridge University Press; 1 edition (November 21, 2013)
  Language:
English
  ISBN-10: 1107691230
  ISBN-13: 978-1107691230
  
  
   						

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